It was created by the American Society of Cinematographers and is supported by nearly all high-end color grading systems. Like an EDL, but for color corrections, the CDL is a method of sharing simple, primary grades between different systems. But by stripping it down to something simple, we enabled a feature that even Colorista II can’t boast: CDL compatibility.ĬDL stands for Color Decision List. It lacks a few features, most notably Power Masks. We joked internally that Colorista II was so powerful, we should just give the original Colorista away for free.Ĭolorista Free isn’t exactly the original Colorista.

I pointed out to the team that Rebel CC continues to be a popular download from Prolost. Colorista II has been extremely popular, which warms my heart, because it means filmmakers everywhere are putting real care into their color correction work.īut I never lost sight of that original goal of creating a color corrector that everyone could use.

When we updated it to Colorista II, the goal expanded to packing as much color correction power as could possibly fit into one effect.

Part of the goal of the original Colorista was to create a single, easy-to-use 3-way color corrector that would be consistent across multiple platforms. It’s a vital skill that I think every editor should learn.First up is Colorista Free. This version won’t replace the current version.Īuto Tone color could be an easy, fast way to get started and hopefully build some confidence with color grading. You have to download and install the Beta version Of Premiere Pro. Tone Color is available in the Creative Cloud app under Beta Apps. Auto Tone is not currently compatible with log-encoded video or log-to-Rec709 LUTs, which is a shame as getting a base quickly would be helpful for people that don’t use LUT’s. Providing more sophisticated color correction, with better results, with a single click.Īs currently implemented, Auto Tone analyzes the unaltered source images and should be applied before adding other color effects. When it is released, Auto Tone will replace the current Auto adjustment button in the Lumetri panel, It acts as a guide to help editors become familiar with adjustments available to improve color in their video or a jumping-off point for more experienced users. Auto Tone adjustments are reflected in the Basic Correction sliders at the top of the Lumetri panel, and users can easily fine-tune the results.

Colorista for premiere pro